Gothic buildings shared with film a capacity to bind time and condense historical narrative in ways that intensify and distort spactial perception.
in “Dark Places: The Haunted House in Film”, Barry Curtis, 2009.
In a sense the picture [“Rebecca”] is the story of a house. The house was one of the three characters of the picture.
in “Hitchcock/Truffaut”, François Truffaut, 1966
Plantas de Manderley retiradas de “The Wrong House The Architecture of Alfred Hitchcock”, Steven Jacobs, 2013